Two months ago, give or take, I started my now-very-infrequent segment The Nightly Three. One of the first albums I reviewed was Bitte Orca, the new Dirty Projectors album. I gave it a 4.5. I personally believe that, after two months, I need to correct this wrong. In short, my belief is that, just 6 months into the year, Dirty Projectors have stopped the race for Best of the Year dead in its tracks, with what is certainly one of the most flawless albums of the decade at large.
Dave Longstreth
Longstreth also woofs and warps the way conventional song structure works, with more cuts than a goth girl's forearm (as is evident by the movement breaks in de facto title track "Useful Chamber"), and completely skewing the line between what is sung elegantly ("Two Doves"), what is charming ("Stillness is the Move") and what is almost outlandish ("Cannibal Resource"), but somehow, with the help of his cover stars Angel Deradoorian and Amber Coffman, rips to shreds the way musicians should play, write, and even sing. The contained and focused fuzz and pop of Bitte Orca, dare I say it, has almost singlehandedly re-written what pop means.
With a bombastic and crackly voice, in the chorus of the opener, "Cannibal Resource," Longstreth sings a line that seems almost fitting, considering all of my talk of how groundbreaking I believe this album is: "I think you're more than a terrified witness behind the arbitrary line." I believe that, in just 9 songs, and just over 40 minutes, he and his band have proven that the line really is arbitrary, and should be crossed and erased so stunningly more often.
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